Back-Alley Front Stage in Romania

First Independent Theater

Back-Alley Front Stage in Romania

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    First independent theater, Bucharest, Romania

    The positioning of the project in the landscape and how it will integrate in the historic quarter, once known as “Montmartre of Bucharest”. G53 will be a link between the history of Bucharest and future artist community. “To build or not to be” – Chris Simion. The current façades will be integrated into the new building. The current design respects the historical and architectural requirements in place today.

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    Back-Alley Front Stage in Romania

    Back-Alley Front Stage – Grivița 53, Romania’s first purpose-built independent theatre since 1946, reclaims a historic site in Bucharest through a contemporary intervention woven behind restored street façades.

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    First independent theater, Bucharest, Romania

    Current building at 53 Grivita Street. G53 will be more than a cultural hub; it will contribute to the rehabilitation of a historical site of Bucharest. G53 will be an example that will be followed by other members of the community. This will enlarge Bucharest’s cultural area, which today is concentrated in the city center. Beside all objective argumentation, there is also a strong symbolism, a few hundred meters away was the first theater ever built in Bucharest: Cismeaua Rosie.

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    Back-Alley Front Stage in Romania

    The completed auditorium at Grivița 53, set partly below ground to maximise the compact site while enhancing energy efficiency and acoustic performance.

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    First independent theater, Bucharest, Romania

    Basement of G53 project.

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    Back-Alley Front Stage in Romania

    Interior spaces at Back-Alley Front Stage are designed to support independent creative production, from rehearsals to full performances, within a flexible and intimate setting.

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    First independent theater, Bucharest, Romania

    Ground floor of G53 project.

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    Back-Alley Front Stage in Romania

    The finished theatre interior balances contemporary design with the project’s community-led vision, creating a civic stage for Bucharest’s independent arts scene.

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    First independent theater, Bucharest, Romania

    Situation plan of the site.

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    First independent theater, Bucharest, Romania

    An example of nowadays situation of the in situ. G53 project will give back to Bucharest the building.

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    First independent theater, Bucharest, Romania

    Current situation – façade view.

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    First independent theater, Bucharest, Romania

    Current situation – courtyard view.

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    Holcim Foundation Awards 2017 for Europe prize handover ceremony, Marseille

    Winners of a Holcim Foundation Awards Acknowledgement prize (l-r): Tiberiu Mercurian and Chris Simion-Mercurian, Ascociata Culturala Grivita 53 with Codrin Tritescu, Arhitecture Office Codrin Tritescu for Back-Alley Front Stage, First independent theater, Bucharest, Romania.

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    First independent theater, Bucharest, Romania

    The authors on site in early 2017.

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    First independent theater, Bucharest, Romania

    Integration of old façases into the future building.

  • Awards Acknowledgement prize 2017–2018 Europe
Rising from a once-dilapidated plot, Back-Alley Front Stage – Grivița 53 brings new cultural life to a historic quarter of Bucharest. Conceived as the city’s first independent theatre since 1946, the project transforms an overlooked urban fragment into a vibrant space for performance and community.

By Tiberiu Mercurian, Chris Simion-Mercurian - Asociatia Culturala Grivita 53, Bucharest, Romania; Codrin Tritescu, Petre Frangulea - Architect Office Codrin Tritescu, Bucharest, Romania and

Developed as a model of urban requalification, Grivița 53 anchors a long-standing theatre company—active without a dedicated home since 1999—into the city fabric it seeks to engage. Layering cultural purpose with architectural renewal, the project reclaims an abandoned site as a shared civic venue, offering a contemporary framework for cultural infrastructure and neighbourhood revitalisation in Bucharest.

Back-Alley Front Stage in Romania

Project authors

  • LafargeHolcim Awards 2017 for Europe prize handover ceremony, Marseille
    Tiberiu Mercurian

    Asociatia Culturala Grivita 53

    Romania

  • LafargeHolcim Awards 2017 for Europe prize handover ceremony, Marseille
    Codrin Tritescu

    Architect Office Codrin Tritescu

    Romania

  • LafargeHolcim Awards 2017 for Europe prize handover ceremony, Marseille
    Chris Simion-Mercurian

    Asociatia Culturala Grivita 53

    Romania

  • Petre Frangulea

    Architect Office Codrin Tritescu

    Romania

  • AA
    Alexandra Ardeleanu

    Architect Office Codrin Tritescu

    Romania

  • AM
    Adina Mastalier

    Asociatia Culturala Grivita 53

    Romania

Project Summary

Reclaiming a Historic Plot for Independent Culture in Bucharest

Back-Alley Front Stage – Grivița 53 introduces a new cultural landmark in one of Bucharest’s oldest quarters, transforming a once-dilapidated plot into the city’s first independent theatre built since 1946. Rising within an area long known as the “Montmartre of Bucharest,” the project revitalises a neglected site while preserving the historic façades that anchor it to its urban past. The building was launched in September 2025, marking a major milestone in the city’s cultural renewal, with the theatre’s official opening planned for December 2025.

Back-Alley Front Stage in Romania

Back-Alley Front Stage – Grivița 53, Romania’s first purpose-built independent theatre since 1946, reclaims a historic site in Bucharest through a contemporary intervention woven behind restored street façades.

Developed by Asociația Culturală Grivița 53 with architect Codrin Tritescu and collaborators, the project proposes a 150-seat auditorium set partly below ground—an innovative strategy that maximises the compact site, improves energy efficiency, and respects heritage constraints. This sensitive integration of old and new offers a contemporary model for urban requalification in Bucharest’s historic core.

Grivița 53 is rooted in strong community support, reflecting a decade-long effort to establish a permanent home for a theatre company that has operated without a dedicated venue since 1999. Funded through collective contributions and public engagement, the project frames independent theatre as both a cultural asset and a democratic space—reinforcing the social dimension of sustainability identified by the Awards jury.

With its completion, Back-Alley Front Stage – Grivița 53 stands as a testament to how grassroots vision, architectural innovation, and civic participation can converge to reshape the cultural life of a city. It signals a new chapter for Bucharest’s independent arts scene and contributes to the broader revitalisation of the Grivița neighbourhood.

Project Status: Completed September 2025

Project Authors

  • Main Author

    Chris Simion-Mercurian

    President, Asociatia Culturala Grivita 53

    Romania

  • Main Author

    Tiberiu Mercurian

    Project Manager, Asociatia Culturala Grivita 53

    Romania

  • Main Author

    Codrin Tritescu

    Principal, Architect Office Codrin Tritescu

    Romania

Further Authors

Alexandra Ardeleanu, Archiect; Petre Frangulea, Student: and Adina Mastalier, Architect, Architect Office Codrin Tritescu, Romania

Jury Appraisal

Within a historic quarter of Bucharest, this project transforms a dilapidated plot into the first independent theatre in the city since 1946. It provides a permanent home for a theatre company that has been operating without a dedicated space since 1999, anchoring a cultural institution within the urban fabric it seeks to engage. The initial design proposal places a 150-seat auditorium below ground while retaining the façades of the existing buildings on the site within a slim, carefully integrated volume.

Back-Alley Front Stage in Romania

The completed auditorium at Grivița 53, set partly below ground to maximise the compact site while enhancing energy efficiency and acoustic performance.

The jury was moved not primarily by the project’s architectural or material expression, but by its powerful statement on the cultural dimension of sustainability. Its program as an independent theatre—a space that also functions as a platform for democratic exchange—is reinforced by the strong community support demonstrated through collective fundraising. From this solid social foundation, the jury observed that the architectural resolution was still developing and expressed the hope that the recognition provided by the award would help motivate an architectural outcome as enlightened and compelling as the program itself.

Project Updates

Statements on Sustainability

  • An innovative project, its main functional spaces (the theater, rehearsal hall, and actors’ cabins) are located below ground level, making them more energy-efficient to heat. This approach maximizes the use of the plot while respecting legal requirements, offering a clear architectural innovation. By building below ground and preserving the existing street-facing façades, the project maintains the character of the area and supports the conservation of its architectural heritage.

  • A people-centered project, it is designed to be financed through sponsorships, individual contributions, and fundraising campaigns involving various communities (NGOs, business groups, and others). It aims to become part of the community by offering an alternative to institutional theater. Independence is equated with transparency: an independent auditor will be engaged to ensure openness in both the collection and use of funds. Enriching Bucharest’s cultural heritage is a core principle, particularly as the project is located in one of the city’s oldest quarters, known between the two World Wars as the “Bucharest Montmartre.”

  • A key goal was to create a project that is financially sustainable. The team developed a business plan based on current market conditions, identifying a minimum of 150 seats as the breakeven point. This requirement guided the selection of the site. After confirming the feasibility of accommodating this program with the architect, the land was purchased and the G53 project initiated. The theatre will accommodate approximately 180 seats.